Remembering forgotten women
Tomorrow, October 15th, is the opening of the exhibition Tu m’ouvres tes bras et on fait un pays : Brésil, corps et démocratie at the Galerie Ilian Rebei in Paris. The exhibition coincides with this electoral period in Brazil and bring together Brazilian artists from different generations that research the theme of the body and… Continue reading Tu m’ouvres tes bras et on fait un pays
The last weekend was the last to visit the exhibition: Julie Manet. La mémoire impressionniste organised by the Musée Marmottan Monet in Paris. A fascinating exhibition on a woman with a thousand faces: Daughter, wife, model, muse, patron… The exhibition brought together a large number of masterpieces, saw it was an amazing opportunity to admire… Continue reading Review: Julie Manet’s Exhibition
Hi there, today I come with spectacular news to you! You must remember the photographer Caterina Notte, our first guest in the section of interviews with contemporary artists. She is presenting her work in some exhibitions around the world, an amazing possibility to see her work closer. Until the 30th September, you can see her… Continue reading Caterina Notte’s Exhibitions
The Jean Jones Estate announced the launch of their forthcoming virtual exhibition “Jean Jones: The Myth of the Tortured Genius”, it follows the success of the retrospective of last October at The Brownston Gallery in Devon. The exhibition, produced in collaboration with the Perspective Project, will explore the oft-romanticised relationship between creativity and mental illness,… Continue reading Virtual Exhibition: Jean Jones
Artemisia is probably the most expected art show of the year, and it had its opening the last 3 October at the National Gallery of London. The exhibit is located at the Sainsbury Wing of the gallery. This is the first major exhibition of Artemisia Gentileschi in the UK. Self-Portrait as the Allegory of Painting… Continue reading The opening of Artemisia at the National Gallery
Women'n Art 
You must be logged in to post a comment.