Research, Mediation and Curation with a gender perspective
Já ouviram falar do Cercle des femmes peintres, ou o Círculo de Mulheres Pintoras de Bruxelas? Essa é uma das minhas descobertas mais recentes, e surpreendentes. Trata-se de uma associação exclusivamente formada por mulheres que se dedicavam à pintura e trabalhavam de maneira ativa na cidade de Bruxelas entre os anos 1888 e 1893. O… Continue reading Círculo de Mulheres Pintoras de Bruxelas
Hi there, I am so excited to share this with you, I was invited, again, by Lund Humphries to make a review with my impressions on other two titles of the beautiful book series Illuminating Women Artists, you know that I am a fan of this book series. The previous review was on the books… Continue reading Illuminating Women Artists’ Books – 2nd Review
Marie Gabrielle Capet foi uma pintora do Neoclássico francês. Nascida em Lyon, no seio de uma família modesta, não se sabe muito sobre os seus primeiros anos de formação e treinamento artístico, mas consta que em 1781, com vinte anos de idade, ela se tornou aluna da pintora Adélaïde Labille-Guiard em Paris. Ela produziu pinturas… Continue reading O Ateliê da Madame Vincent de Marie Gabrielle Capet
Hi everyone, today I want to talk to you about one of my favourite contemporary artists, Natalie Papamichael, this October she is launching an exhibition in London and a Fashion Show, how exciting is this! The exhibition Making Strange is the first central London solo exhibition of Natalie, and you can visit at the Gallery… Continue reading Natalie Papamichael: Making Strange
Why is it so important to talk about Embroidery art? Throughout the history of art embroidery was not considered as art, at least not as Art (with a capital A). After a brief analyse of embroidery history, we can see how it has been linked to women, it has been seen as a feminine work… Continue reading Embroidery in Art
Women'n Art 
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